Living in a city today implies being subject to the accel-erated pace of the production and consumption activities, established in westernized societies. The speed require-ment prevents spending time while walking, a practice linked to the appropriation of the space that is inhabited. In this sense, the hypothesis proposed is that walking is an everyday act of resistance, through which the inhabi-tants participate in the construction of the city. Therefore, walking constitutes a poetic and political act. The argu-mentation resorts to the revision of theoretical references and to the analysis of some contemporary art proposals that explore the practice of walking as a procedure to invent the space, questioning the uses instituted in ur-banization processes. In conclusion, walking allows us to rediscover everyday spaces and originates multiple stories from which the space makes sense

This text is a preliminary investigation -of a qualitative nature- and is not conclusive to the extent that it can ex-pand the number of interviews, meetings and bibliogra-phy on its object of study. It defines, in the first place, what could be understood by the clustering of culture through what specialized literature has called creative and cultur-al districts. It also mentions the territorial strategy linked to the value chain of creative economies of the Colombi-an government known as Áreas de Desarrollo Naranja. Lastly, it aims to place in context and provide routes for inquiry and management, not only about the territories or "polygons" demarcated in the Orange Development Areas and the creative and cultural districts, but also in expand-ing the notion of place as a dynamic concept under con-struction regarding cultural clustering